The Unspeakeasy with Meghan Daum

The Unspeakeasy with Meghan Daum

Share this post

The Unspeakeasy with Meghan Daum
The Unspeakeasy with Meghan Daum
You Don't Need To Publish (Or Even Write) Everything.
Copy link
Facebook
Email
Notes
More

You Don't Need To Publish (Or Even Write) Everything.

Art Monster: Lesson One

Meghan Daum's avatar
Meghan Daum
Jun 18, 2024
∙ Paid
32

Share this post

The Unspeakeasy with Meghan Daum
The Unspeakeasy with Meghan Daum
You Don't Need To Publish (Or Even Write) Everything.
Copy link
Facebook
Email
Notes
More
10
2
Share
When you write and publish an essay about other people, what should you include, not include, or just not write altogether?
Photo by Art Institute of Chicago on Unsplash

I was delighted to see the enthusiastic response to my post last week introducing the Art Monster project, a still-amorphous initiative designed to help writers figure out how (or whether) to put their most dangerous or taboo thoughts out into the world. Since this is all about honesty, I can tell you that I have no real idea what shape this project will take or what it will entail. In large part, it’s an effort to force myself to write more. Given that I'm juggling two podcasts, intermittent teaching, and the ever-evolving behemoth that is The Unspeakeasy, it’s easy to let writing fall by the wayside. (Especially if you’re like me and, as soon as you type a cliché like “fall by the wayside,” you interrupt your flow and spend 20 minutes trying to think of another way to say it. Unsuccessfully.) 

I was also trying to channel my chronic self-reproach into something positive or at least productive. In writing about the guilt I carry around for publishing my essay “Matricide,” I hoped to open up a conversation about what you, the reader, might be carrying around as a result of something you wrote or, moreover, are afraid to write.

Related Content

Am I A Recovering Art Monster?

Am I A Recovering Art Monster?

Meghan Daum
·
June 10, 2024
Read full story

Because Substack is a plushly upholstered safe space where “content creators” can reliably count on praise and bias confirmation from their built-in audience, I wasn’t too worried about the response. I expected a few of you to agree with me about being terrible — and you delivered! But I also knew that those of you who were familiar with “Matricide” would mostly register support and say you appreciated the essay on its own terms and were glad I published it. Needless to say, I was grateful for that. But even though I winced at the comments telling me that publishing the essay was a crappy thing to do, I was grateful for that feedback as well. That’s because both things are true. The essay was worthy of appreciation. It was also crappy of me (arguably worse than crappy)  to publish it. 

Keep reading with a 7-day free trial

Subscribe to The Unspeakeasy with Meghan Daum to keep reading this post and get 7 days of free access to the full post archives.

Already a paid subscriber? Sign in
© 2025 Meghan Daum
Privacy ∙ Terms ∙ Collection notice
Start writingGet the app
Substack is the home for great culture

Share

Copy link
Facebook
Email
Notes
More